HAUS WIEN: September 21 - 27, 2020
Independent Space Index Vienna
„Misfitting Together“ on view at mumok until January 6, 2021
Untitled (MOLLY HOUSE) opening at EXILE on Sept. 5 & 6
HAUS WIEN: September 21 - 27, 2020
Independent Space Index Vienna
„Misfitting Together“ on view at mumok until January 6, 2021
Untitled (MOLLY HOUSE) opening at EXILE on Sept. 5 & 6
location_on East Slovak Gallery

Alex Selmeci & Tomáš Kocka Jusko: "Idle Cruising"



January 30 - March 22 , 2020
Curated by: Erik Vilím
Photography: Ondrej Rychnavský
Music: Sám Bady

3 COMMENTS. JOIN THE CONVERSATION!

what kind of floor is this? is it part of the artwork? so prettyyyyyyyyyyyyyyyy
the chocolate gives me anxiety

click here for sound file

Coach * indicates a four-wheeled vehicle with opposite-facing seats drawn by horses • from the German word kotsche, from the Hungarian word kocsi: ‘coming from the village of Kocs, south of Komárno’

When, in the 16th century, coaches began to travel between Vienna and Buda, the world became a little smaller. Initially, the coach had to be designed to cope with the rough terrain of the roads – the development of suspension and the improvement of the upholstery were driven by the need for adopting the sitting position over long journeys. Efforts to achieve comfort predetermined, but also accelerated, the development of this means of transport. The wider uptake of coaches correlated with a growing disruption to human biology. Overcoming distances without exerting any physical effort was accompanied by the so-called coach sickness, similar to the experience of travelling by boat. Paradoxically, the liberation from the tedious and mechanical process of walking put the body in an unpleasant situation. The source of nausea was the absurd combination of movement and physical passivity.
The body had to gradually adapt to this radical transformation, just as the coach had to adapt to our needs. The nausea experienced by passengers was in direct contrast to the purpose of a coach - to care for the physical human body. The organism was enclosed in a sealed cabin and protected from the adversities of nature. From this perspective, the coach acted as a kind of precedent to the so-called human-oriented technology that creates, metaphorically speaking, a shell between us and the material world. By its form, it addresses our desires and at the same time responds to the interface of our sensory abilities.

However, before the birth of modernity, the coach had also played another role – the development of transit, communication networks and infrastructure made it possible to settle in distant places. It was one of the first technological advances in which the Local gradually ceased to exist. In other words, the acceleration of movement gradually transformed our relationship with place and made it meaningless – a particular place can always be replaced by another one with minimal effort and without any physical work. Moreover, an equivalent and at the same time a consequence is captured by the increase in our interest in live streaming videos, which allow us to move from burning Australia to the comfort of an armchair. The coach in the 20th century finally lost its original purpose – it was replaced by an update, the train.

Coach * denotes a slang term for a private tutor taking care of a student; instructor, technical advisor, head of a sports team (since the 20th century) • from the French word coche: ‘wagon, stagecoach’
The creation of the specific profession of coach in the 19th century corresponded to the needs of increasing knowledge associated with the gradual "de-enchantment" of the world [by secularisation], the spread of enlightenment throughout Europe and the necessity of a rapid transfer of information. The coach was a private teacher (initially working mainly at Oxford University), a person who looked after the comfort of the student, oversaw his or her learning process and specialization in a particular subject. He led the student to achieve a better outcome of his or her intellect, or more specifically, the coach accompanied the student and directed his or her attention. Figuratively speaking, he "transported" the concepts or ideas that were supposed to bring the student to a pre-determined goal. The profession of coach was based on caring the intellectual abilities. The body of the student, however, remained in a passive sitting position in a dark office. The movement—that the student performed—took place in the abstract realm of cognition, in which knowledge gradually compiled the notion of the world [an intellectual map of social reality].

After updating the Enlightenment version of the coach at the turn of the 20th and 21st century, his capitalist mutation focused on the business environment. The motto “Multiply your impact!” underpinned all the coach’s action which were aimed at increasing productivity and profit. The privileges and natural authority stemming from the position of a 19th century coach have been replaced by an artificially created reputation and a detailed profile on LinkedIn. Again, the coach was hidden in the private zone of a manager, a director or a team leader. He focused the client's attention on his or her work agenda, short- and long-term goals, fostered the courage to change, and advocated prudence. While the Enlightenment coach focused on the student's intellect, the newer coach focused on the client's ego. The effectiveness of the coach was fulfilled in maintaining [stabilizing] the vitality of the ego by subliminal manipulation. His services have been set by the client’s individual requirements [“Designed for you!”] – flexibility was key to continued success in the changing world. In 2031, the coach of the globalized world was replaced by technology using artificial intelligence, which was able to analyse a wide spectrum of the client’s digital data for its absolute personalization. - Erik Vilím

I am Isaac, I ́m a coach
Isaac Supersoft, she calls me
Wine and coffee, wine and coke
Coke – water, coffee – chocolate
Topping and bread, her sweat
I ́m slicky, sticky... sweaty together
We were meant for each other

In a way I love it too, soft surfaces I offer her
Little bottom jumps into, seated she's so cool
seated position... changing her expression

thinking... she's thinking
about guilt and comfort (come to sit)
her gaze and motive (come to sit)
blame and comfort – here together
guilt and distance become greater

“Haunted by that wall, I want the onyx for my own
Aragonite day ́n night, shiny orange light
Orange faces, in that blaze... always in my mind

The bedroom of Mathias, many red wine coloured walls
Middle ages so creepy, the swelter ́s making me so sleepy”
Sitting... sitting...

I am Isaac and I ́m coach
Isaac Supersoft they call me
I ́m horses lover, no emission
I ́m guilt powered, saw them jealous,
They would love to be me!
I am Isaac

COMMENTS

what kind of floor is this? is it part of the artwork? so prettyyyyyyyyyyyyyyyy
jane, Feb 19, 2020 at 12:13
the chocolate gives me anxiety
wtf-boy, Feb 18, 2020 at 10:20
beautiful!
sarah, Feb 17, 2020 at 12:15

Leave a comment